Skip to main content

It's All About The Photography

Recently there has been a HUGE controversy brewing within the photography community regarding the comments of some so-called "rock star photographers," wherein they sell beginners on the admonition to just grab a camera, go out and shoot a wedding [as if that were somehow the time to learn!] and 'fake it until they make it.' Phrases like "spray and pray" have moved over from the world of gunfighting, and military ops (yes, that's where it originated) to now describe a photography technique that consists of popping off countless images in the hopes of capturing a good one. There is also a huge trend toward people being obsessively concerned with marketing themselves as wildly successful photographers; and gaining FB friends, Twitter followers and building up a ginormous fan base of people that will apparently just randomly write checks and send them. There is one key element that gets lost in the mix of all this 'feel good and you'll be good' mantra chanting: The Photography. It's all about the PHOTOGRAPHY.

Photography, after all, means - in basic translation - "Drawing with light."

The reality is that a photograph is simply light recorded in some tangible way. The photographer determines whether the natural light hitting a subject is what they want, or if creating a whole, specialized lighting set-up is required. But in the end, it is all about light, and how that metal and glass device - the camera - records it. A photographer has got to know photography. Period. A photographer has got to know to know Shutter speed, F/stops, ISO, White-balance, and all of the other fun stuff, a lot more than they need to talk slick and act like a rock-star. Clients pay for images, and if you are setting yourself up as a professional you are stepping into a ring with some exceptionally talented people who know the craft, and know how to create images. And that's what will be expected of you. You will be expected to know ambient light, and flash, and hot light, hard light, and diffused light; and how they all work. Yes - there are REAL rock star photographers out there. Names like Jerry Avenaim, and Lindsay Adler spring to mind. But trust me when I say: These people know their craft! They know photography. They have the talent and skills that set standards in the industry. And it takes work and constant refinement - not to mention honest self-examination - to even begin to take the roads that they have paved.

If you are just picking up that brand new DSLR today and have been lead to think that by this time next year you will be hopping out of private jets rapid firing shots of billion-dollar superstars while an adoring public looks on from behind the gates, wishing they were you - simply because you faked it until you made it - you can hand over your gear and go back to the diner or coffee shop to hatch a new get-rich-and-famous plan. The bottom line is that photography is a tough business - and it is a business - that is based on knowledge of an art, and the creativity to use that art in compelling and effective ways. Don't spray and pray - take photos. Build your style. Create images. Photography has many facets and levels, but when all is said and done, at the center of it all, it is photography no matter what.

Comments

Popular posts from this blog

Playing With Dramatic Light

I have this image that keeps recurring in my mind. It involves the cold blue feeling of a dark winter and the glowing orange of a firelight. So far it seems to keep eluding me, although I think this is largely because every attempt I have made to capture this "mood" has been done in a hurry, or in the rain, or some other situation that forced me to run through it rather than walk it out. This shot is one such version. I may need to go back with a slightly different lighting setup and try some more. Perhaps in a different location.

Everything Old is New Again...

Due to events that would take far too long to explain here, I now find myself working with a camera that I have not used for more than half a decade. Granted, it will largely be used only as a back-up at this point, but the question of why  anyone would 'go back' to using such "antiquated" technology as a 10-year old (at the time of this writing) digital camera that is only 12.3 megapixels and has a max ISO of 3200 has an interesting series of answers. Let me cite the method to my madness. The camera in question is a Nikon D-90 with a vertical grip. At the time it was released it was considered a top-shelf pro-sumer model, and it was the definitive purchase that pushed me from film into digital. At 12.3MP, it was quite the heavy hitter for it's time, considering it was not all that many iterations down the line from the days of the "5MP cieling", where even high end DSLRs were still climbing out of the 3.2 range. To show you just how far things have co
Hello, and welcome to the C.M. Franke Photography Blog! Stop by as often as you like to see new posts and rambling thoughts about light, color, and all of the other cool stuff that makes photography the dream we all chase and live!