The Third Cut's the Keeper

After putting together The Tidewatcher, putting it up on the website, re-cutting it for length and clarity, letting it sit for a month - then cutting it yet again, I think I can finally say... This is about as good as it's going to get!

Actually, the project was a HUGE learning experience. I discovered that imagery which might make for a great motion picture does not always translate well (or with as much impact) in the form of still photos. Less definitely is more here. And the fact that there is no music, nor sound effects means that the dynamics of a "still-image movie" are much different in the final form than they might be when originally written or imagined. But overall, it is a project I am glad I attempted - and I may try another such 'cinematic project' at some point, who knows.... Stay tuned

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Playing With Dramatic Light

I have this image that keeps recurring in my mind. It involves the cold blue feeling of a dark winter and the glowing orange of a firelight. So far it seems to keep eluding me, although I think this is largely because every attempt I have made to capture this "mood" has been done in a hurry, or in the rain, or some other situation that forced me to run through it rather than walk it out. This shot is one such version. I may need to go back with a slightly different lighting setup and try some more. Perhaps in a different location.

Everything Old is New Again...

Due to events that would take far too long to explain here, I now find myself working with a camera that I have not used for more than half a decade. Granted, it will largely be used only as a back-up at this point, but the question of why anyone would 'go back' to using such "antiquated" technology as a 10-year old (at the time of this writing) digital camera that is only 12.3 megapixels and has a max ISO of 3200 has an interesting series of answers. Let me cite the method to my madness. The camera in question is a Nikon D-90 with a vertical grip. At the time it was released it was considered a top-shelf pro-sumer model, and it was the definitive purchase that pushed me from film into digital. At 12.3MP, it was quite the heavy hitter for it's time, considering it was not all that many iterations down the line from the days of the "5MP cieling", where even high end DSLRs were still climbing out of the 3.2 range. To show you just how far things have co

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C. M. Franke | Photography

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