If You Could Star in a Film....

For many of us, the idea of being in a motion picture - in either a small part, or a leading role - is something dreamed about since childhood. For most, that dream may never happen. Or at least, not until now... If you take a few moments and read through the posts on this blog you will see that I have been honing and fine tuning a specialized type of photography with a very cinematic approach. The newest development is something called Single Shot Cinema. What is it, and why should you care?

Have you ever wanted to be in a movie? What would it be? Western? Action film? Romance? Comedy? Single Shot Cinema creates an image that looks like it came straight off of the silver screen. The lighting, the props, the locations... Whatever it takes to make it look less like an ordinary 'picture' and more like a frame-grab from a film. When someone comes into your house and sees one of these shots on the coffee table, I want their first reaction to be: "Hey what movie is that from..? Wait... This is YOU? Whoaaa..."
Not just a traditional portrait - a SCENE. You can even act out something dramatic with a friend or family member. This is Single Shot Cinema! Let's see a story! And let's put you in PICTURES!

"Casting Calls" begin for some sample work that will be 'broadcast' on the website. Your image can be the one that tells people what this is all about! Contact us at www.seefranke.com for more information.

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Playing With Dramatic Light

I have this image that keeps recurring in my mind. It involves the cold blue feeling of a dark winter and the glowing orange of a firelight. So far it seems to keep eluding me, although I think this is largely because every attempt I have made to capture this "mood" has been done in a hurry, or in the rain, or some other situation that forced me to run through it rather than walk it out. This shot is one such version. I may need to go back with a slightly different lighting setup and try some more. Perhaps in a different location.

It's Not The Light, Its What You Do With It.

Standard soft-light shot with umbrella Snoot light for that film-noir look T his past weekend I had the opportunity to shoot with a very talented East Coast makeup artist, and an amazing model (!) S ince I knew that I would be working in a relatively small space, and did not want to set up lots of plugged in lights, I used a Vivitar 285-HV speed light and bounce umbrella. Once we got the images we were after, but before we wrapped the shot and struck the set, I dropped a snoot on the light, swiveled it around, and tried my version of a "noir / vintage album cover" look. These are just quick samples of both styles, pretty much as they look straight from the camera. The refined, polished, edited versions will be coming up later - but it is nice to see that even a small and often overlooked "old-school" flash unit can still create pretty impressive light!

A Picture is Worth How Much? (Part II)

After a long two year absence from this blog, I feel the need to write a post on some recent rumblings which - by the time you read this, may be either old news, or a never ending story. In essence it is a follow up to my last post of February 2014, in that it follows the same line of thought, but adds a new variable to the equation. Firstly, I took two years away from photography due to family responsibilities. While I could write a whole run-on blog post about being a care-giver for an elderly parent, it falls quite far afield of my purpose here, so I'll just say that the time away from the camera has allowed me to see my work for what it is (or was) more clearly, and to redefine what it needs to become and where I want to go with it in the days ahead. Call it a "forced introspection," it leads me to the point I want to make now. In my previous post I ruminated on how the preponderance of photographic images has led to a 'devaluation' of photography. ...

C. M. Franke | Photography

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