If You Could Star in a Film....

For many of us, the idea of being in a motion picture - in either a small part, or a leading role - is something dreamed about since childhood. For most, that dream may never happen. Or at least, not until now... If you take a few moments and read through the posts on this blog you will see that I have been honing and fine tuning a specialized type of photography with a very cinematic approach. The newest development is something called Single Shot Cinema. What is it, and why should you care?

Have you ever wanted to be in a movie? What would it be? Western? Action film? Romance? Comedy? Single Shot Cinema creates an image that looks like it came straight off of the silver screen. The lighting, the props, the locations... Whatever it takes to make it look less like an ordinary 'picture' and more like a frame-grab from a film. When someone comes into your house and sees one of these shots on the coffee table, I want their first reaction to be: "Hey what movie is that from..? Wait... This is YOU? Whoaaa..."
Not just a traditional portrait - a SCENE. You can even act out something dramatic with a friend or family member. This is Single Shot Cinema! Let's see a story! And let's put you in PICTURES!

"Casting Calls" begin for some sample work that will be 'broadcast' on the website. Your image can be the one that tells people what this is all about! Contact us at www.seefranke.com for more information.

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The Lighting Tells The Story, and The Story Tells The Lighting

T hose who have studied lighting - especially for theater or motion pictures, know well the mantra that "The lighting tells the story." Simply put: No matter what kind of camera or lens is used, who the actors are, or who wrote the script, it is the light that ultimately creates what we see. That is the cutting edge of the knife. However, the more I think about this, the more I would change it a bit... " The lighting tells the story - and the story tells the lighting. " It is a reciprocal thing. The way something is lit does create emotion, and makes the viewer feel the story through their eyes. We draw conclusions and fill in details based on the way what we see is illuminated. But that moment itself must also dictate the lighting: What quality of light is needed to do the telling? Where would it be coming from? What color is this light? Is it one solid wash, or should it be broken up in mottled shadows? All of these things are going to be determined by wha...

The Light on The Street is...

I love night photography. Something about a photograph made at night embodies the Cinematic. Traditional still portrait photos are shot in airy, well lit studios. Movies have night scenes on location. I want my images to look like movies. For me, that often comes down to creating the look of night, rather than capturing it using only whatever light is available and adjusting the camera accordingly. Over the last few years, I have noticed a number of films where much of the action takes place in a night-scape lit by the orange/amber glow of sodium streetlights. While I had never been a fan of that light in real life, I decided to try my hand at creating the look for a photo project. Since using real sodium streetlights would mean either a very high (and grainy) ISO, or long, long, long shutter speeds, I determined pretty early on that I would be using flash. I will spare you all of the technical details of why using flash to repli...

Playing With Dramatic Light

I have this image that keeps recurring in my mind. It involves the cold blue feeling of a dark winter and the glowing orange of a firelight. So far it seems to keep eluding me, although I think this is largely because every attempt I have made to capture this "mood" has been done in a hurry, or in the rain, or some other situation that forced me to run through it rather than walk it out. This shot is one such version. I may need to go back with a slightly different lighting setup and try some more. Perhaps in a different location.

C. M. Franke | Photography

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