Skip to main content

Lights, Camera.... ACTION

Most of the project ideas that I have been working on with Single Shot Cinema thus far have been dramatic: Images of people contemplating something, or stewing in some emotional state; the exact definition and reasons for these being largely ambiguous, and left up to the viewer to decide. The catalyst for these dramatic images was a photo in one of the text books I had while studying with the New York Institute of Photography. It was a black and white image that showed two people sitting at a table - one looking downward sheepishly while the other seemed to be glaring at him from the distance. It was within that simple, yet intriguing photograph that I realized the capacity of a single image to paint an entire dramatic "movie" in the mind's of viewers.
          However...  I am coming to the realization that these one-shot-movies need not be strictly limited to high human drama and nuanced emotional subjectivity. With Photoshop, a whole world of insanely action packed images can be achieved as well. Giant monsters attacking a city? Sure, why not? People being chased by helicopters as they leap over a bridge? Works for me! Intergalactic space station rocked by an alien attack? It can be done!!  The key idea is that ANY sort of movie concept can be displayed in Single Shot Cinema - and quite effectively! 
         So can we expect to see images of towering robots blasting away at one another in the midst of the city appearing on the seefranke.com website? Let's just say: Prepare for anything! I am already working on some pretty interesting projects!! Of course, I am waiting until I build up a sufficient number of these new shots to post an entirely new, Single Shot Cinema Gallery on the website. But it is on the way, so get ready..!

Comments

Post a Comment

All comments will be moderated. Comments containing profanity, abusive speech, or questionable content will not be published.

Popular posts from this blog

Playing With Dramatic Light

I have this image that keeps recurring in my mind. It involves the cold blue feeling of a dark winter and the glowing orange of a firelight. So far it seems to keep eluding me, although I think this is largely because every attempt I have made to capture this "mood" has been done in a hurry, or in the rain, or some other situation that forced me to run through it rather than walk it out. This shot is one such version. I may need to go back with a slightly different lighting setup and try some more. Perhaps in a different location.
2 comments
Read more

It's Not The Light, Its What You Do With It.

Standard soft-light shot with umbrella Snoot light for that film-noir look T his past weekend I had the opportunity to shoot with a very talented East Coast makeup artist, and an amazing model (!)            S ince I knew that I would be working in a relatively small space, and did not want to set up lots of plugged in lights, I used a Vivitar 285-HV speed light and bounce umbrella. Once we got the images we were after, but before we wrapped the shot and struck the set, I dropped a snoot on the light, swiveled it around, and tried my version of a "noir / vintage album cover" look. These are just quick samples of both styles, pretty much as they look straight from the camera. The refined, polished, edited versions will be coming up later - but it is nice to see that even a small and often overlooked "old-school" flash unit can still create pretty impressive light!
1 comment
Read more

A Picture is Worth How Much? (Part II)

After a long two year absence from this blog, I feel the need to write a post on some recent rumblings which - by the time you read this, may be either old news, or a never ending story. In essence it is a follow up to my last post of February 2014, in that it follows the same line of thought, but adds a new variable to the equation. Firstly, I took two years away from photography due to family responsibilities. While I could write a whole run-on blog post about being a care-giver for an elderly parent, it falls quite far afield of my purpose here, so I'll just say that the time away from the camera has allowed me to see my work for what it is (or was) more clearly, and to redefine what it needs to become and where I want to go with it in the days ahead. Call it a "forced introspection," it leads me to the point I want to make now. In my previous post I ruminated on how the preponderance of photographic images has led to a 'devaluation' of photography. ...
Post a Comment
Read more