Skip to main content

Principal Photography for The Tidewatcher Wraps.

Principal photography for the Tidewatcher project was completed today on the sandbar between West Haven, and New Haven Connecticut. There is still a great deal of post-production work to be done, and a number of "pick-up shots" to be taken, but the whole thing is moving along well, and the images on the camera's LCD screen pretty much match the ones in my head, so this thing looks to be a pretty effective telling of the story. My thanks to Lloyd Meyer for playing the title role of our friend the relentless and shadowy Harbormaster!

Comments

Post a Comment

All comments will be moderated. Comments containing profanity, abusive speech, or questionable content will not be published.

Popular posts from this blog

Playing With Dramatic Light

I have this image that keeps recurring in my mind. It involves the cold blue feeling of a dark winter and the glowing orange of a firelight. So far it seems to keep eluding me, although I think this is largely because every attempt I have made to capture this "mood" has been done in a hurry, or in the rain, or some other situation that forced me to run through it rather than walk it out. This shot is one such version. I may need to go back with a slightly different lighting setup and try some more. Perhaps in a different location.
2 comments
Read more

It's Not The Light, Its What You Do With It.

Standard soft-light shot with umbrella Snoot light for that film-noir look T his past weekend I had the opportunity to shoot with a very talented East Coast makeup artist, and an amazing model (!)            S ince I knew that I would be working in a relatively small space, and did not want to set up lots of plugged in lights, I used a Vivitar 285-HV speed light and bounce umbrella. Once we got the images we were after, but before we wrapped the shot and struck the set, I dropped a snoot on the light, swiveled it around, and tried my version of a "noir / vintage album cover" look. These are just quick samples of both styles, pretty much as they look straight from the camera. The refined, polished, edited versions will be coming up later - but it is nice to see that even a small and often overlooked "old-school" flash unit can still create pretty impressive light!
1 comment
Read more

Be 'Practical' With Lighting

In Hollywood cinematography, there has been a sea-change over the last thirty years or so, away from "Studio style" lighting setups, to scenes and shots motivated by practical lighting. Gone are the days when a cowboy enters a barn, turns on one single lantern, and is blasted with pure white light coming from 12 different sources. But what does that sentence mean? "Motivating light using practical sources?" It sounds confusing and jargon-esque to the uninitiated. And how does it apply to still photography..?       To boil it down, "Practial lights" are any light sources that appear in the shot. A lamp. A streetlight. Car headlights. The idea being that if you have a person sitting next to a fireplace, or at a table lit by a lamp, that light source wants to predominate in the shot. So most of the light should look like firelight, or lamplight. And that [lighting] element should be clearly in frame. This does NOT mean that you should always rely solely on t...
Post a Comment
Read more